Punctuation is a thing for a reason Allen.
“illuminating all the motionless world of Time between”
“who threw their watches off the roof to cast their ballot for Eternity outside of Time, & alarm clocks fell on their heads every day for the next decade,”
“who were burned alive in their innocent flannel suits on Madison Avenue amid blasts of leaden verse & the tanked-up clatter of the iron regiments of fashion & the nitroglycerine shrieks of the fairies of advertising & the mustard gas of sinister intelligent editors, or were run down by the drunken taxicabs of Absolute Reality,”
This is poetry of the senses, plural specific. Your intellect is appealed to, as is your emotion, but as too are your senses, your very body – not just with the sights and sounds and feelings described but the way that they are written, the alliteration and deliberate word choice, the run on of sentences so perfectly sculpted around voice and tone and emotion, and breath. That’s the important bit, it forces your whole body to join in with the poem, not just your heart and mind.
“who dreamt and made incarnate gaps in Time & Space through images juxtaposed, and trapped the archangel of the soul between 2 visual images and joined the elemental verbs and set the noun and dash of consciousness together jumping with sensation of Pater Omnipotens Aeterna Deus”
I love the obsession with time, as I would anywhere else, is play with it though, particularly eccentric and graphic, is inspiring. Also, the personification of various concepts done expertly.
Metropolis is apparently created by Ginsberg as an inspiration for this section, inc. Meloch, a fantastic film and well worth a watch, even with breaks – it feels like eternity as it’s a silent b&w film.
Definitely nowhere near as good as Part I
“where the faculties of the skull no longer admit the worms of the senses”
Footnote to Howl
Yeah, nope, none of the rest of this is as astoundingly brilliant as Part I
Ft. image a quick sketch I did inspired by this piece, I will return to it another day